Guillermo del Toro, Rian Johnson and other film luminaries look back at LA's historic Egyptian Theatre as it returns to its former movie palace glory.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

In the spring of 1798, Napoleon set out with 38,000 men and 10,000 sailors to conquer Egypt.

Master of Study is about a determined lawyer who takes up a teaching position at a failing high school. To save the school from the ax, he comes up with the unconventional plan of starting a special class curriculum devoted to getting the school's five worst students into the country's top university.

Yong-min was a playboy who was loved by every woman. He had a woman named Tae-yeon whom he loved. However she breaks up with him due to his playboy habits and there is a rough quarrel in the process which leaves Yong-min blind. He meets and marries a woman named Soo-ae but he's lost all sexual desires along with his sight so it's hard to maintain a good marriage with her. Then one day Ho-yeong and Soo-jeong move in next to them and Soo-ae feels a kind of adoration for Ho-yeong...

Convention and sexuality are explored through slugs, rituals, and the eating of an orange.

Chae-yeon, who has never been in a relationship, secretly has a crush on Nam-gyoo, the president of her company, and practices kissing in front of the mirror every day. One day, Chae-yeon musters up her courage and asks Nam-gyoo to kiss her, but Nam-gyoo avoids her, promising her next time. But in fact, Nam-gyoo has never kissed properly before, so he goes to take kissing lessons to fulfill Chae-yeon's request.

Sebastián, an actor known for just one role he played years ago, is about to get engaged, but life has other plans for him. Just when his life seemed to be all mapped out, he is thrown back in the fold with his long time friends who are bad at relationships. All of the sudden, he goes back to the life he left almost 10 years ago: being single.